A fun project using left over mill planks that were left with live edges… rough cuts.
The large one is hemlock and approx. 48″x24″. The interior image area is considerably smaller, approx. 12″x36″. A simple wide sketch might be appropriate, maybe using parts of the frame as elements of the picture. We were thinking a western motiff, perhaps a rider on a horse overlooking a vista on the high plains.
The smaller frame is cedar and aged. No finish is used. The size is approx. 36″x 18″. A light sanding with 80 grit removed any slivers. It is tricky to find usable 45° angles to join the sides of the frame. Little cuts are made until matching edges line up. The frames are both glued with PL, a construction grade adhesive.
Both frames are not numbered and created as an experiment. We’ll post an update when we find appropriate pictures to use in the frames.
42″ long, 18″ high, 18″ wide. Uses 3″ thick slab of Hemlock on walnut legs with a walnut trestle design. The legs are glued with a cross beam, but pegged to the slab using gravity. The trestle then joins the legs with a snug fit. No metal is used.
Numbered 05-14-19 BL
The Hemlock bench is finished in a mix of 50% polyurethane and 50% paint thinner. This mix leaves the appearance of a hand-worn lustre, instead of a shiny gloss. The bench is now on a front patio under cover, with a view of a beautiful rock garden.
An ancient (over two hundred years old) river bourne cedar scrying bowl set upon Rowan branches.
This is a one-of-a-kind, very unique showpiece and an original Prairie Bench design. The hand ground Cedar Burl Scrying Bowl has been displayed in local studios and used by fortune tellers who look into future events.
The rich burgundy tones pop on the polished surface which holds approx. 1 liter of water. The legs are twisting and interlocking English Mountain Ash known as Rowan (used for wands) and harvested on site, then joined without metal to create a stunning tripod that cradles the bowl.
The burl is large with an oval shape 40″ long and 24″ across. It’s approximately 12″ thick and set on the stand, the surface is 30″ tall.
‘River bourne’ means this burl came from a tree which fell naturally, swept into a river and later harvested by a licensed tug operator. On the ocean, we call it beachcombing. The source tree fell of it’s own accord or came down naturally. The only cut was to separate the burl from the timber.
The cedar burl has deep burn marks attributed to a lightning strike. You can see in the cross section where a bolt traveled into the wood. This is a unique feature showing burns directly next to untouched wood.
Scrying is a custom used by sages and fortune tellers to ‘peer’ into the future through a medium such as water in a bowl. The practice is most commonly associated with Nostradamus.
The Cedar Burl Scrying Bowl is precious and one of a kind so packaging will be extra heavy duty. The burl will need to be set carefully onto the legs once you have chosen its perfect position.
This unique showpiece is the original created by Prairie Bench Poco Canada, our small woodworkers studio that locates interesting examples of wood and uses them in designs. We use natural and safe synthetic materials to preserve and enhance features left by nature. See our moonlight test of the Cedar Scrying Bowl… click here.
Another piece of wood on the todo pile was this interesting live edge cut of hemlock. There wasn’t enough length to create a table and the wood grain is interesting enough that in this case, form doesn’t need function. We’ve dubbed it the Garden Picture Frame.
The piece is 30″ square, hand ground and finished in weather resistant Prairie Bench Storybook finish. We might commission a painting, but for now it will sit on a rough cut easel and provide a simple window on imagination.
Continuing with the Elk and Wolf Dining Project, the frames for the two thrones are complete. Each uses hazelnut posts with balsam fir supports. The backboard and seat are Sitka Spruce. The dowels are hazelnut and hemlock. No screws or nails are used, just glue and pressure. The posts were measured to fit then hand chiseled to fit the interlocking fir supports. No stain was used, just clear finish and some charcoal was sanded into the joints.
The hazelnut posts are grown onsite and have a muscular, sinew look with a slight purple hue. The spruce backboard is from an old log claimed from the Fraser river by a local tug operator. The arms have carved paws and there a some roughed meadow leaves and branches on the edges and seat. When sitting, the wolf appears to be looking over your shoulder, a bit scary and intimidating for your subjects. That’s the look we wanted!
The seat had a natural band that seems to create a scene with a knot moon in the background. Wood contains it’s own art, but it was fun to add our carving of a wolf. So much fun, we made a spruce shield to indicate when the Wolf King or Queen was in town. If the shield is hanging on the throne, the wolf is around.
Check back to see the Elk throne. It’s almost done.